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It is a poem of complex and subtle artistic composition, its vividness and language has won it many superlatives, including one by the Tamil literature scholar Kamil Zvelebil, as "the best or one of the best of the lays of the [Sangam] bardic corpus". [4]
Similarly striking is the poet's detailed painting of a woman's body with words in lines 14–40, with antati phrases some of which are also found in earlier Sangam poems. [ 9 ] [ 7 ] This poem uses "the sun being orbited by planets" as an analogy in the lines below displaying the heliocentric understanding of the planetary system by Tamil ...
[7] [8] [9] According to Kamil Zvelebil – a Tamil literature and history scholar, the most acceptable range for the majority of Sangam literature is 100 BCE to 250 CE, based on the linguistic, prosodic and quasi-historic allusions within the texts and the colophons. [10]
Man size sculpture of Sri Rama in Srivaikuntanathan Perumal temple located in Tamil Nadu.. The Akananuru (Tamil: அகநானூறு, Akanāṉūṟu, literally "four hundred [poems] in the akam genre"), sometimes called Nedunthokai (lit. "anthology of long poems"), is a classical Tamil poetic work and one of the Eight Anthologies (Ettuthokai) in the Sangam literature. [1]
The Sangam literature (Tamil: சங்க இலக்கியம், caṅka ilakkiyam), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், Cāṉṟōr ceyyuḷ), [1] connotes the early classical Tamil literature and is the earliest known literature of South India. It is generally ...
The Eighteen Greater Texts, known as Patiṉeṇmēlkaṇakku (Tamil: பதினெண்மேல்கணக்கு) in the literature, is the collection of the ...
Sangam refers to the assembly of the highly learned people of the ancient Tamil land, with the primary aim of advancing the literature. There were historically three Sangams. There were historically three Sangams.
One of the prominent Sangam Tamil poets is known as Eelattu Poothanthevanar meaning Poothan-thevan (proper name) hailing from Eelam mentioned in Akanaṉūṟu: 88, 231, 307; Kurunthokai: 189, 360, 343 and Naṟṟiṇai: 88, 366. The historical value of the Sangam poems has been critically analysed by scholars in the 19th and 20th centuries.