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"The Red Shoes" is a song written and performed by English musician Kate Bush. It was the fourth single released from her seventh studio album, The Red Shoes (1993). The single was released in April 1994 by EMI. The song peaked at No. 21 and spent 3 weeks on the UK Singles Chart.
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Gay Star News ' Anya Crittenton described "Nails, Hair, Hips, Heels" as a "rhythmic bop" song. The song ends with a series of requested actions, asking listeners to drop, tongue pop, twirl, say "girl", and "shablam". [1] The news website's David Hudson described the song as a "gay anthem". [2] Hall has said the song is his favorite on the EP ...
"Toes" is a song recorded by Canadian singer-songwriter Lights for her second studio album, Siberia (2011). The song made its radio premiere on 104.5 CHUM-FM on August 5, 2011 and was released digitally on August 16, 2011 as the official lead single for the album. [1] [2] [3] It debuted and peaked at number 62 on the Canadian Hot 100. [4] "Toes ...
"Diamonds on the Soles of Her Shoes" is a song by the American singer-songwriter Paul Simon. It was the fourth single from his seventh studio album, Graceland (1986), released on Warner Bros. Records. The song features guest vocals from the South African male choral group Ladysmith Black Mambazo.
"Red High Heels" is a song written by Chris Lindsey, Aimee Mayo, Karyn Rochelle, and co-written and recorded by American country music artist Kellie Pickler. The song was the debut single off her debut album Small Town Girl (2006). "Red High Heels" peaked at number 15 on the Billboard Hot Country Songs chart and number 64 on the Billboard Hot 100.
"Head over Heels" is a song by the all-female pop rock/new wave band the Go-Go's, released in 1984 as the first single from their third studio album, Talk Show. The song was written by band members Charlotte Caffey and Kathy Valentine , and produced by English record producer Martin Rushent .
"Hi-Heel Sneakers" (often also spelled "High Heel Sneakers") is a blues song written and recorded by Tommy Tucker in 1963. Blues writer Mary Katherine Aldin describes it as an uptempo twelve-bar blues, with "a spare, lilting musical framework", and a strong vocal. [2] The song's rhythmic approach has also been compared to that of Jimmy Reed. [3]