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The output was 50 watts at 8 ohms into a single 12 inch speaker, with a "Tone Ring" baffle in the speaker cabinet. In early 1961, model 6G6-A was introduced with a solid state rectifier replacing the GZ34, and two 12" speakers with a conventional baffle in a slightly larger cabinet (wired in parallel) with a 4-ohm output.
An external speaker jack is located next to the output tubes in the back and allows the signal to be heard out of both the amplifier itself and the speakers to which it is connected (which must have a 4- or 8-Ohm impedance). The DeVille features a 60-watt valve amplifier with three 12AX7 preamp valves and two 6L6 output valves. Its circuitry ...
Available in 8-inch, 10-inch, 12-inch, and 13.5-inch woofer sizes. TW5: JL's only shallow mount subwoofer and only available in 13.5-inch. The mounting depth is a mere 2.54 inches. This subwoofer features 3-ohm nominal impedance and has an RMS of 600 W. Easily mounts in tight places. [16]
one 12-inch, 50-watt, 8-ohm driver (connected with 1/4-inch phone jack for external speaker option); model varies with edition: standard edition Blues Juniors ship with a Celestion A-Type speaker NOS Lacquered Tweed Limited Edition Blues Juniors ship with the Italian manufactured Jensen model C12N
By 1955 Fender started putting its amps in the "Narrow Panel" tweed cabinet with a plastic oxblood color grill cloth, [4] and by this time the Champ was officially named the Champ (model 5E1). Through 1957, Champs only had a six-inch speaker, but the 1958 model 5F1 featured an 8".
Such loads are around 1/1000 the impedance a line out is designed to drive, so the line out is usually not designed to source the current that would be drawn by a 4 to 8 ohm load at normal line out signal voltages. The result will be very weak sound from the speaker and possibly a damaged line out circuit.