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Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and romanticism Contents: Top
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
Gothic fiction comprises Gothic novels, short stories and short-story collections. Subcategories This category has the following 10 subcategories, out of 10 total.
[5] A common Gothic influence seen in the sensation novels is the search for a secret. Moreover, crime scenes at wells or near water are symbolic of the "depth" which is a key element of Gothic fiction. The sensation novel puts a modern spin on the classic Gothic ghost stories by placing the stories in contemporary settings and this produces ...
The emergence of the "ab-human" in American gothic fiction was closely coupled with the emergence of Charles Darwin's theories of evolution. [5] Ideas of evolution or devolution of a species, new biological knowledge, and technological advancement created a fertile environment for many to question their essential humanity.
Southern Gothic novels (37 P) T. The Turn of the Screw (1 C, 5 P) Pages in category "American gothic novels" The following 53 pages are in this category, out of 53 total.
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
Contemporary English reviews of the novel mostly provide commentary on the superstitious beliefs (e.g., the existence of necromancy, curses, etc.) of the characters of the novel, which most reviewers generalize to the German people in their reviews: "In Germany, no doubt, such [superstitions] have made a wider impression and progress than in ...