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Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and romanticism Contents: Top
Here, 20 the best gothic books to read this fall: The Castle of Otranto: A Gothic Story. The Castle of Otranto is considered the first supernatural English novel and also the first gothic novel ...
The emergence of the "ab-human" in American gothic fiction was closely coupled with the emergence of Charles Darwin's theories of evolution. [5] Ideas of evolution or devolution of a species, new biological knowledge, and technological advancement created a fertile environment for many to question their essential humanity.
Gothic fiction comprises Gothic novels, short stories and short-story collections. Subcategories This category has the following 10 subcategories, out of 10 total.
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
The eighteenth-century Gothic novel is a genre of Gothic fiction published between 1764 and roughly 1820, which had the greatest period of popularity in the 1790s. These works originated the term "Gothic" to refer to stories which evoked the sentimental and supernatural qualities of medieval romance with the new genre of the novel .
Pierre; or, The Ambiguities is the seventh book by American writer Herman Melville, first published in New York in 1852.The novel, which uses many conventions of Gothic fiction, develops the psychological, sexual, and family tensions between Pierre Glendinning; his widowed mother; Glendinning Stanly, his cousin; Lucy Tartan, his fiancée; and Isabel Banford, who is revealed to be his half-sister.