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The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
BWV 574a – Fugue in C minor (alternative version of BWV 574) BWV 575 – Fugue in C minor; BWV 576 – Fugue in G major; BWV 577 – Fugue in G major "à la Gigue" (spurious) BWV 578 – Fugue in G minor "Little" BWV 579 – Fugue on a theme by Arcangelo Corelli (from Op. 3, No. 4); in B Minor; BWV 580 – Fugue in D major (spurious)
BWV 574a – Fugue in C minor (alternative version of BWV 574) BWV 574b – Fugue in C minor (alternative version of BWV 574) BWV 575 – Fugue in C minor; BWV 576 – Fugue in G major (doubtful) [10] BWV 577 – Fugue in G major à la Gigue (doubtful) [11] BWV 578 – Fugue in G minor ("Little") BWV 579 – Fugue in B minor (on a theme by ...
BWV 853 – Prelude and Fugue in E-flat minor (The fugue of this work is in D-sharp minor, the enharmonic key of E-flat minor) BWV 854 – Prelude and Fugue in E major; BWV 855 – Prelude and Fugue in E minor BWV 855a – Prelude in E minor (early version of the prelude of BWV 855), and Fughetta [15] BWV 856 – Prelude and Fugue in F major
The Prelude and Fughetta were published in Series V, Volume 6.1 of the Neue Bach-Ausgabe, based on various sources for the Prelude, and on the Konwitschny source (of which a film copy had been preserved) for the Fughetta. [3] BWV 855a is an early version of BWV 855, No. 10 in the 1722 first book of the Well-Tempered Clavier. [4]
However, Lukather, 67, isn't sure how Cuomo actually feels about "Africa." In a new interview on Matt Pinfield’s KLOS radio show New & Approved, the guitar player said, "I don’t know about him ...
The subject of the fugue is composed of three separate motifs, all of which can be found in canzonas and ricercars. The 19th-century Bach scholar Philipp Spitta praised the fugue, particularly its modulations. Williams has suggested that "perhaps the imaginative penultimate bar was inspired by J. S. Bach". [8] [3] Prelude and Fugue in A minor ...
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