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Such use of liquid masterbatches allows highly accurate dosing and quick color changes between machine runs. [3] [4] Masterbatches are highly concentrated compared to the target composition, with high "let-down ratios"; for example, often 25 kgs of a masterbatch can be used to compound one ton of base polymer. [5]
Beni itajime is a block-resist dyeing method that was common throughout the Meiji period (1868-1912), used to create red lining fabrics with crisp white designs. In China, the jia xie method, invented around 500 AD, uses wooden blocks to dye patterns onto fabric, usually silk. An upper and a lower block is made, with carved out compartments ...
Tie-dye can be used to create a wide variety of designs on fabric, from standard patterns such as the spiral, peace sign, diamond, sunburst, and the marble effect to beautiful works of art. Using techniques such as stencils (as in screen printing using dyes or discharge pastes), clamped-on shaped blocks, and tritik (stitching and gathering ...
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Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth. Artisans may create intricate coloured patterns with multiple cycles of wax application and dyeing. Patterns and motifs vary widely even within countries.
Remove unwanted hair at home with the best sugar wax recipe and tips to make sugar wax paste from dermatologists. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 ...
"Wax over shellac" (an application of buffed-on paste wax over several coats of shellac) is often regarded as a beautiful, if fragile, finish for hardwood floors. Luthiers still use shellac to French polish fine acoustic stringed instruments, but it has been replaced by synthetic plastic lacquers and varnishes in many workshops, especially high ...
Wax-resin lining would remain ubiquitous through the first half of the 20th century as it was viewed as a preservative practice with little negative consequence. [1] Some practitioners began expressing doubts as a result of observed damage on lined paintings which lead to the 1974 Comparative Lining Conference.