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The piece opens with a three-note motif at fortissimo that introduces the C-sharp minor tonality that dominates the piece. The cadential motif repeats throughout. In the third bar, the volume changes to a piano pianissimo for the exposition of the theme. The second part is propulsive and marked Agitato (agitated), beginning with highly ...
Piano Sonata in C-sharp minor (Tchaikovsky) Piano Sonata in C-sharp minor, D 655 (Schubert) Piano Sonata No. 14 (Beethoven) Polonaises, Op. 26 (Chopin) Prelude and Fugue in C-sharp minor, BWV 849; Prelude and Fugue in C-sharp minor, BWV 873; Prelude in C-sharp minor (Rachmaninoff) Prelude in C-sharp minor, Op. 11, No. 10 (Scriabin)
Even so, Johannes Brahms still felt the need to rewrite his C-sharp minor piano quartet in C minor, which was published as Piano Quartet No. 3 in C minor, Op. 60. [citation needed] The last intermezzo from his Three Intermezzi for piano, Op. 117 is in C-sharp minor. Alkan composed the second movement (Adagio) for Concerto for Solo Piano in C ...
In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor. Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit.
The prelude continues like so for 33 bars, with different harmony and changes of key.The coda begins at the 34th bar, where a sudden change of texture and tempo occurs. In the first bar of the coda, an arpeggiated chord is followed by a rapid succession of thirty-second notes.
The first few bars of Scriabin's Étude Op. 2 No. 1. Étude Op. 2 No. 1 is in 3/4 time and is in the key of C-sharp minor. The melody is poignant and heartfelt, showing many characteristics of Russian Gypsy music [citation needed]. It is accompanied by repeated chords in both hands, featuring rich harmonies, inner voices, and large spreads in ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Fugue in C ♯ minor of the Well-Tempered Clavier Book I in Bach's handwriting. [1] The Prelude and Fugue in C-sharp minor, BWV 849, is a pair of keyboard compositions by Johann Sebastian Bach. It is the fourth prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.