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The Wall is the eleventh studio album by the English rock band Pink Floyd, released on 30 November 1979 by Harvest/EMI and Columbia/CBS Records.It is a rock opera which explores Pink, a jaded rock star, as he constructs a psychological "wall" of social isolation.
So I headed to Edwards Air Force Base. When we told them we were doing it for Pink Floyd, they let us do whatever we wanted." [3] On the album, "The Happiest Days of Our Lives" segues into "Another Brick in the Wall, Pt. 2" with a loud, high-pitched scream by Roger Waters, similar to one of the band's earlier works: "Careful with That Axe, Eugene".
This song is meant as a dénouement to the album. The story ends with "The Trial", in which a "judge" decrees, "Tear down the wall!". An explosion is heard to signify the wall's destruction, and "Outside the Wall" quietly begins. It is not explicitly stated what happens to Pink, the protagonist, after the dismantling of his psychological "wall".
"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 album The Wall, written by the bassist, Roger Waters. "Part 2", a protest song against corporal punishment and rigid and abusive schooling, features a children's choir. At the suggestion of the producer, Bob Ezrin, Pink Floyd added elements of disco.
Additionally, the song contains some references to founding Pink Floyd member, Syd Barrett. [5] The song was written after an argument between Gilmour, Waters, and co-producer Bob Ezrin during the production of The Wall in which Gilmour and Ezrin challenged Waters to come up with one more song for the album. Waters then wrote "Nobody Home" and ...
Finally, the song changes into a minor-key musical theme: root, major second, minor third, major second—that has recurred throughout the album, as the main theme to "Another Brick in the Wall", the instrumental section of "Hey You", and will be heard in the album's climax, "The Trial". The riff is repeated in E minor, with E minor and D Major ...
In the film Pink Floyd – The Wall, during the ominous opening to the song, Pink is standing in front of the completed wall, and throws himself against it several times as if trying to escape. Then, during the acoustic guitar section, it cuts to Pink laying out all his possessions on the floor of the hotel room in neat piles.
The first two songs are taken from The Pros and Cons of Hitch Hiking, a concept album Waters wrote simultaneously with The Wall, and later recorded solo; and The Final Cut, a 1983 Pink Floyd album. "Your Possible Pasts" was a song originally intended for The Wall that later appeared on The Final Cut .