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Many psalters, particularly from the 12th century onwards, included a richly decorated "prefatory cycle" &ndash. A series of full-page illuminations preceding the Psalms, usually illustrating the Passion story, though some also featured Old Testament narratives.
Cover of the Theodore Psalter. The Theodore Psalter is an illustrated manuscript and compilation of the Psalms and the canticles, or Odes from the Old Testament. [1] " This Psalter has been held in the British Library since 1853 as Additional 19.352," wrote Princeton Art History professor Charles Barber in his first essay that is a companion to the Theodore Psalter E-Facsimile. [2]
The Paris Psalter (Paris, Bibliothèque Nationale, MS. Fonds Latin 8824) is an entire Anglo-Saxon psalm book written in both Latin and the West Saxon dialect of Old English. [1] The manuscript dates from the middle of 11th century, written by a scribe who stated that he was called Wulfwinus cognomento Cada (i.e. Wulfwine or Wulfwig surnamed ...
In Early Medieval psalters a three-fold division with decorated letters at Psalms 1, 51, 101 was typical, but by the Gothic period French psalters were often divided into eight sections, and English ones into ten, at Psalms 1, 26, 38, 51, 52, 68, 80, 97, 101 and 109.
The Paris Psalter is very famous within ancient Byzantine art, and although there are other psalters, this is the most famous out of the seventy five illuminated Byzantine psalters. A common theme in the Paris Psalter is the portrayal of ideal rulers, this portrayal is meant to signify their importance in their era and to glorify them. [9]
After the Psalms, like many psalters the manuscript includes various canticles and other material, including the Canticles of Isaiah the Prophet (Is 12 and Is 38), and a third Canticle of Isaiah (1 Samuel 2:1–10). The canticle of Moses the Prophet (Ex 15:1–13) includes 17-20 added on the lower margin.