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Many of the songs in the 1950s hinted at the simmering racial tension that would later usher in the Civil Rights Movement in the 1960s. The 1950s was a pivotal era in music, laying the groundwork ...
The artists with the most songs in the 1950 year-end charts were Red Foley with eight songs, Eddy Arnold with seven, Ernest Tubb with five, Hank Williams with four, and the duet pairing of Margaret Whiting and Jimmy Wakely with four. [1]
Hank Snow had lengthy runs at the top of all three charts with "I'm Movin' On".. In 1950, Billboard magazine published three charts covering the best-performing country music songs in the United States: Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys.
While Billboard is considered the authoritative source, at least one other publisher, Music VF, created its own list of the top country hits of 1951. Music VF's list was led by (1) "Slow Poke" by Pee Wee King, (2) "Mockin' Bird Hill" by Les Paul and Mary Ford, (3) "On Top of Old Smoky" by The Weavers, (4) "Down Yonder" by Del Wood, and (5) "Mockin' Bird Hill" by the Pinetoppers.
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1960, five different songs topped the chart, which at the time was published under the title Hot C&W Sides, C&W being an abbreviation for country and western.
In Asia, various trends marked the popular music of the 1960s. In Japan, the decade saw the rise in popularity of several Western popular music groups such as The Beatles and the Rolling Stones. The success of rock music and bands in Japan started a new genre, known as Group Sounds, which was popular in the latter half of the decade.
Garage rock was a form of amateurish rock music, particularly prevalent in North America in the mid-1960s and so called because of the perception that it was rehearsed in a suburban family garage. [21] [22] Garage rock songs revolved around the traumas of high school life, with songs about "lying girls" being particularly common. [23]
Throughout most of the 1950s, the magazine published the following charts to measure a song's popularity: Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations. Most Played in Jukeboxes – ranked the most played songs in jukeboxes across the United States.