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The painting is also seen as highly significant for the culture of Poland in general. [5] According to the Warsaw National Museum, Stańczyk is one of the most recognizable paintings in its collection, and is a flagship painting for the "Collection of Polish paintings prior to 1914". [5]
Stańczyk, The Prussian Homage (detail). Oil on canvas, by Jan Matejko, National Museum in Kraków. In 1869 a group of young conservative publicists: Józef Szujski, Stanisław Tarnowski, Stanisław Koźmian [] and Ludwik Wodzicki [], published a series of satirical pamphlets entitled Teka Stańczyka (Stańczyk's Portfolio or Stańczyk's Files).
Jan Alojzy Matejko (Polish pronunciation: [ˈjan aˈlɔjzɨ maˈtɛjkɔ] ⓘ; also known as Jan Mateyko; 24 June 1838 [nb 1] – 1 November 1893) was a Polish painter, a leading 19th-century exponent of history painting, known for depicting nodal events from Polish history.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1893, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The painting Stańczyk, which contains a depiction of the sad clown paradox The sad clown paradox is the contradictory association, in performers, between comedy and mental disorders such as depression and anxiety .
History. The monument was designed in 1989 by sculptor Marian Konieczny, ... and a subject of Matejko's 1862 painting of the same name. [1] [2]
Agreed, especially in light of the fact that Stanczyk was Polish, and Smolensk was a Lithuanian city. The sentence "On the table lies a letter likely announcing that the Grand Duchy of Lithuania has lost Smolensk (now in Russia) to the Grand Duchy of Moscow, causing Stańczyk's sorrow and reflection on his fatherland's fate" are puzzle.
Ivar Nilsson as the Fool in a 1908 stage production of King Lear at The Royal Dramatic Theatre in Sweden [5]. In his article "The Wisdom of the Fool", Walter Kaiser illustrates that the varied names and words people have attributed to real fools in different societies when put altogether reveal the general characteristics of the wise fool as a literary construct: "empty-headed (μάταιος ...