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The art, culture, identity, and societies of the Sikhs has been merged with different locality and ethnicity of different Sikhs into categories such as 'Agrahari Sikhs', 'Dakhni Sikhs' and 'Assamese Sikhs'; however there has emerged a niche cultural phenomenon that can be described as 'Political Sikh'.
Art deities are a form of religious iconography incorporated into artistic compositions by many religions as a dedication to their respective gods and goddesses. The various artworks are used throughout history as a means to gain a deeper connection to a particular deity or as a sign of respect and devotion to the divine being.
A medieval silver cross pendant inscribed with the letters AG LA. AGLA (אגלא) is a magic word that appears in some charms.Its meaning is unsettled, but is widely reputed to be a noṭariqōn or kabbalistic acronym for Hebrew: אַתָּה גִּבּוֹר לְעוֹלָם אֲדֹנָי, romanized: ʾAtā gībōr ləʿōlām ʾĂḏōnāy, "Thou, O Lord, art mighty forever."
The name Pattachitra has evolved from the Sanskrit words patta, meaning canvas, and chitra, meaning picture. Pattachitra is thus a painting done on canvas, and is manifested by rich colourful application, creative motifs, and designs, and portrayal of simple themes, mostly mythological in depiction. [ 14 ]
The Coexist image created by Piotr Młodożeniec. The Coexist image (often styled as "CoeXisT" or "COEXIST") is an image created by Polish, Warsaw-based graphic designer Piotr Młodożeniec [] in 2000 as an entry in an international art competition sponsored by the Museum on the Seam for Dialogue, Understanding and Coexistence.
The Metropolitan Museum of Art in New York has among other relevant holdings 124 mediaeval (1000–1400 A.D.) objects bearing Islamic geometric patterns, [56] including a pair of Egyptian minbar (pulpit) doors almost 2 m. high in rosewood and mulberry inlaid with ivory and ebony; [57] and an entire mihrab (prayer niche) from Isfahan, decorated ...
Fish-shaped door handle from Germany, an example of a zoomorphic artwork. The word zoomorphism derives from Ancient Greek: ζῶον, romanized: zōon, lit. 'animal' and Ancient Greek: μορφή, romanized: morphē, lit. 'form; shape'. In the context of art, zoomorphism could describe art that imagines humans as non-human animals. [1]
In monotheistic religions, aniconism was shaped by theological considerations and historical contexts.It emerged as a corollary in which people believed that God was the ultimate power holder, and people who practiced it believed that they needed to defend God's unique status against competing external and internal forces, such as pagan idols and critical humans.