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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
Chinese dragons continued to be used in the Qing dynasty in the imperial and court clothing. [1] [12] The types of dragons and their numbers of claws were regulated and prescribed by the imperial court. [1] When Chinese dragons are enclosed in roundels, they are referred as tuanlong (团龙); they can also be enclosed in mandarin square (buzi ...
The I'itoi is an indigenous spiritual symbol that signifies the challenging and balancing decisions in one's life that lead us to our ultimate dream state from the product of all of our choices. The ideal is to reach the center of this maze of decisions we make, which is a manifestation of our purpose and dream, and is accepted by the Sun God ...
The word oomancy is derived from two Greek words, oon (an egg) and Manteia (divination), which literally translates into egg divination. Oomancy was a common form of divination practiced in ancient Greece and Rome, where it was believed that one could tell the future by interpreting the shapes formed when the separated whites from an egg was dropped into hot water.
Bronzes (青铜器; 青銅器; qīng tóng qì; ch'ing t'ong ch'i) are some of the most important pieces of ancient Chinese art, warranting an entire separate catalogue in the Imperial art collections. The Chinese Bronze Age began in the Xia dynasty (c. 2070 – c. 1600 BC), and bronze ritual containers form the bulk of collections of Chinese ...
Chinese spiritual world concepts are cultural practices or methods found in Chinese culture.Some fit in the realms of a particular religion, others do not. In general these concepts were uniquely evolved from the Chinese values of filial piety, tacit acknowledgment of the co-existence of the living and the deceased, and the belief in causality and reincarnation, with or without religious ...
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Mingqi also could include figurines, spiritual representations rather than real people, [3] of soldiers, servants, musicians, polo riders, houses, unicorns and horses. [4] Extensive use of mingqi during certain periods may either have been an attempt to preserve the image of ritual propriety by cutting costs, or it may have a new idea ...