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Childe Harold's Pilgrimage: A Romaunt is a long narrative poem in four parts written by Lord Byron.The poem was published between 1812 and 1818. Dedicated to "Ianthe", it describes the travels and reflections of a young man disillusioned with a life of pleasure and revelry and looking for distraction in foreign lands.
The Byronic hero first reached a very wide public in Byron's semi-autobiographical epic narrative poem Childe Harold's Pilgrimage (1812–1818). Despite Byron's clarifying Childe was a fictitious character in the preface of the work, "the public immediately associated Byron with his gloomy hero", with readers "convinced ... that Byron and ...
After his return from travels he entrusted R. C. Dallas, as his literary agent, with the publication of his poem Childe Harold's Pilgrimage, which Byron thought to be of little account. The first two cantos of Childe Harold's Pilgrimage were published in 1812 and were received with critical acclaim.
Childe Harold's Pilgrimage – Italy is an 1832 landscape painting by the British artist J. M. W. Turner. It depicts a scene from the poem Childe Harold's Pilgrimage by Lord Byron . Turner possibly drew some inspiration from his friend Charles Lock Eastlake 's 1827 painting Lord Byron's Dream . [ 1 ]
Childe Harold's Pilgrimage, Parts I-II, on March 20, with other books published in following years, up to 1818. Fourteen shorter poems also included. The publication of these first two cantos is received with acclamation, and Byron wrote, "I awoke one morning and found myself famous."
Byron had become famous for his narrative poem Childe Harold's Pilgrimage, published in 1812 establishing him as a celebrity in Regency Britain. In 1816 he left Britain after controversy over his behaviour and spent the remainder of his life in Continental Europe. In 1824 he died of disease while taking part in the Greek War of Independence.
The frontispiece to a c. 1825 edition of Childe Harold's Pilgrimage, a lengthy narrative poem by Lord Byron. The poem describes the travels and reflections of a world-weary young man who, disillusioned with a life of pleasure and revelry, looks for distraction in foreign lands.
It refers specifically to lines 114–122 of the poem, and may have inspired Turner's own later work Childe Harold's Pilgrimage (exhibited in 1832), based on another of Byron's poems. [4] 1833 engraving by James Tibbits Willmore based on the painting. The painting is now in the collection of Tate Britain in London, which acquired it in 1872. [5]