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Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number. Apart from indicating his first published keyboard composition as Opus 1, Bach did not use opus numbers. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA ...
Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771).
Johann Christian Bach, painted in London by Thomas Gainsborough, 1776 (National Portrait Gallery, London) This is a list of compositions by Johann Christian Bach. The opus numbers are taken from Ernest Warburton's The Collected Works of Johann Christian Bach. [1] [2]
Wilhelm Friedemann Bach: sein leben und seine werke, mit thematischem verzeichnis seiner kompositionen und zwei bildern. Leipzig: C. F. Kahnt nachfolger. F (or) Fk Falck catalogue Wollny, Peter (2012). Wilhelm Friedemann Bach : thematisch-systematisches Verzeichnis der musikalischen Werke (BR-WFB). Bach-Repertorium : Werkverzeichnisse zur ...
Monologue opus 50 for solo organ (2008) Kol Nidreï opus 10 for solo organ (1996) Brahms, Johannes. Fugue in ab minor WoO 8; Prelude and Fugue in a minor WoO 9; Prelude and Fugue in g minor WoO 10; Chorale Prelude and Fugue on „O Traurigkeit, o Herzeleid“ WoO 7; Eleven Chorale Preludes op. posth. 122; Bruckner, Anton. Fugue in D minor for ...
Finally in BWV 682, Vater unser in Himmelreich (the Lord's Prayer), a pivotal point, where the manual and pedal parts are exchanged, occurs at bar 41, which is the sum of the numerical order of letters in JS BACH (using the Baroque convention [28] of identifying I with J and U with V). The later cadence at bar 56 in the 91 bar chorale prelude ...
New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume.
Fair copy in Bach's own hand of the revised version of the St Matthew Passion BWV 244 that is generally dated to the year 1743–46. The St Matthew Passion is the second of two Passion settings by Bach that have survived in their entirety, the first being the St John Passion, first performed in 1724.