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He plays using the percussive rockabilly/psychobilly bass technique known as slap bass, in which the strings are pulled away from the fingerboard until they snap back, and the strings are rhythmically slapped against the fingerboard. The German rockabilly bassist Didi Beck cites Wallace as one of his influences. [2]
Slap bass continues to be used in the 21st century, as it is widely used by modern rockabilly and psychobilly band bassists, including Kim Nekroman (Nekromantix), Geoff Kresge (Tiger Army), Scott Owen (The Living End) and Jimbo Wallace (The Reverend Horton Heat). Kresge's rapid slapping ability is all the more remarkable given that for much of ...
Neo-rockabilly UK band Restless, have played neo-rockabilly since the early 1980s. The style was to mix any popular music to a rockabilly set up, drums, slap bass and guitar. This was followed by many other artists at the time in London.
Stijepovic is often referred as the world's best slap style double bass player. [18] [63] [9] [64] [65] [66] Slap bass is a mostly percussive technique that was developed in New Orleans at the beginning of the 20th century. He is writing the first book about the technique. [14] [19] [29] [16]
The use of the upright bass is influenced by 1950s rockabilly and rock and roll musicians, particularly in the use of walking bass lines and the use of slapping. The bass is often played in the slap style, in which the player snaps the string by pulling it until it hits the fingerboard, or hits the strings against the fingerboard, which adds a ...
Many psychobilly and rockabilly bassists who slap use non-steel strings, as steel strings are too hard on the hands. Day uses nylon bass strings and a Gallien-Krueger 1001RB head and 4X10 cabs to push out her sound while on tour. Her trademark is her heavily decorated white double bass, hand-painted by tattoo artist Baby Lou Tattoo.
Eric Langlois ()Terry Lewis (); Dirk Lance (Formerly in Incubus); Dave LaRue (Dixie Dregs, Steve Morse Band and others); Martyn LeNoble (Porno For Pyros); Henrik Linder (Dirty Loops)
Lytle's style of playing, which involved slapping the strings to make a percussive sound, is considered one of the signature sounds of early rock and roll and rockabilly. The athletic Lytle also developed a stage routine, along with Ambrose, that involved doing acrobatic stunts with the bass fiddle, including throwing it in the air and riding ...