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MP3+G (MP3 plus Graphics) is a karaoke file format that was created to allow CD+G karaoke to be played from a personal computer easily and quickly. MP3+G was created from the combination of the MP3 audio file (the CD audio is converted and compressed to MP3) and a raw CDG file which contains the RW subchannels from the CD+G track.
Lagu Kenangan ('Song of Memories') is a 1953 Indonesian film directed by L. Inata and produced by Djamaluddin Malik for the Persari Film Corporation. Starring Titien Sumarni and A. N. Alcaff , it follows the domestic troubles of a composer and his wife.
The Music from "The Connection" is an album by the Freddie Redd Quartet, recorded as the soundtrack for Jack Gelber's 1959 play The Connection on February 15, 1960 and released on Blue Note later that year. The quartet features saxophonist Jackie McLean and rhythm section Michael Mattos and Larry Ritchie.
"Cokane in My Brain" is a song written and performed by the Jamaican musician Dillinger. It was released as a single from his second studio album CB 200 in 1976 by Island Records . The song was produced by Joseph "Jo Jo" Hoo Kim , who used samples of People's Choice 's " Do It Any Way You Wanna " and Enoch Light 's " Hijack ".
Brainfreeze is a live DJ mix album by American producers DJ Shadow and Cut Chemist, released "sometime" in 1999. [2] The two tracks of the album are uninterrupted recordings from a live performance where they sampled hit funk, soul, rock and jazz singles from 45 rpm vinyl records.
It is the fifth and final track on Brain Salad Surgery and, with a running length of 29 minutes and 37 seconds, is Emerson, Lake & Palmer's longest studio recording. The initial release of the album on vinyl split "Karn Evil 9" between the two sides due to its length, with a fade out/fade in between First Impression Parts 1 and 2.
Body and Brain Connection, also known as Dr. Kawashima's Body and Brain Exercises in PAL regions, is a puzzle video game developed and published by Namco Bandai Games for the Xbox 360's Kinect platform. It was released in Japan on November 20, 2010, in North America on February 8, 2011, and in Europe on February 11, 2011.
Nathan Rabin of The A.V. Club gave the album a mixed review, saying that there is "much to like about the album" but also describing it as "a bit of a letdown". He describes Del's production work as "inventive" but "largely monotonous and unnecessarily repetitive" and adds, "Equally damaging is the album's lack of form and structure: Many of its tracks sound like marathon free-styling sessions ...