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A rebus (/ ˈ r iː b ə s / REE-bəss) is a puzzle device that combines the use of illustrated pictures with individual letters to depict words or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n".
As of Unicode version 16.0, there are 155,063 characters with code points, covering 168 modern and historical scripts, as well as multiple symbol sets.This article includes the 1,062 characters in the Multilingual European Character Set 2 subset, and some additional related characters.
Letter symbolism is the study of the alphabet as a symbol, exploring its ability to represent analogically, convey meaning, and carry values beyond its practical or material function. It involves examining letters as symbols or systems , as well as their capacity for designation, meaning, and potential influence . Each letter typically holds ...
Lettering is an act or result of artfully drawing letters, instead of writing them simply. Lettering is considered an art form, where each letter in a phrase or quote acts as an illustration. Each letter is created with attention to detail and has a unique role within a composition. [1]
In logographic writing systems, glyphs represent words or morphemes (meaningful components of words, as in mean-ing-ful) rather than phonetic elements. No logographic script is composed solely of logograms. All contain graphemes that represent phonetic (sound-based) elements as well.
A totem ambigram is an ambigram whose letters are stacked like a totem, most often offering a vertical axis mirror symmetry. This type helps when several letters fit together, but hardly the whole word. For example, in the Maria monogram , the letters M, A and I are individually symmetrical, and the pairing R/A is almost naturally mirroring ...
An ideogram or ideograph (from Greek idéa 'idea' + gráphō 'to write') is a symbol that represents an idea or concept independent of any particular language. Some ideograms are more arbitrary than others: some are only meaningful assuming preexisting familiarity with some convention; others more directly resemble their signifieds .
The Chi Rho (☧, English pronunciation / ˈ k aɪ ˈ r oʊ /; also known as chrismon [1]) is one of the earliest forms of the Christogram, formed by superimposing the first two (capital) letters—chi and rho (ΧΡ)—of the Greek ΧΡΙΣΤΟΣ (rom: Christos) in such a way that the vertical stroke of the rho intersects the center of the chi.