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Saint Minias of Florence is also known as San Miniato.The painting is tempera and gold sheet on poplar.It is now in the Legion of Honor Museum in San Francisco, California, which also has a similar peaked wood panel by Bicci, depicting Saints Anthony and Stephen.
He is not to be confused with the slightly older, and more prominent, Florentine sculptor Nanni di Banco, and is often called "Rosso" in art history to avoid this. [3] In both cases "Nanni" is a contraction of "Giovanni", Italian for "John". He was the son of a Friar Bartolo. [4]
The figure has been interpreted in a variety of ways. One has been to suggest that Donatello was homosexual and that he was expressing that sexual attitude through this statue. [13] [14] A second is to suggest that the work refers to homosocial values in Florentine society without expressing Donatello's personal tendencies.
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
Giovanni di Antonio di Banco, called Nanni di Banco (c. 1374 – 1421), was an Italian Renaissance sculptor from Florence.He was a contemporary of Donatello – both are first recorded as sculptors in the accounts of the Florence Duomo in 1406, presumably as young masters. [1]
The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...