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Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
A celo cucoloris casting a shadow Crew members on National Treasure using a cookie. In lighting for film, theatre and still photography, a cucoloris (occasionally also spelled cuculoris, kookaloris, cookaloris or cucalorus) is a light modifier (tool, device) for casting shadows or silhouettes to produce patterned illumination.
The selection of a film stock is one of the first decisions made in preparing a typical film production. Aside from the film gauge selection – 8 mm (amateur), 16 mm (semi-professional), 35 mm (professional) and 65 mm (epic photography, rarely used except in special event venues) – the cinematographer has a selection of stocks in reversal ...
Movement can be used extensively by film makers to make meaning. It is how a scene is put together to produce an image. A famous example of this, which uses "dance" extensively to communicate meaning and emotion, is the film, West Side Story. Provided in this alphabetised list of film techniques used in motion picture filmmaking. There are a ...
Back-to-back film production; Bankable star; Beat (filmmaking) Beatscript; Behind-the-scenes; Below-the-line (filmmaking) Billing (performing arts) Black and white hat symbolism in film; Blackout gag; Blaxploitation; Blockbuster (entertainment) Blocking (stage) Blooper; Bottle episode; Bouncing ball (music) Box office; Box-office bomb ...
The information is filtered from light rays that meet the retina. The light is called the stimulus energy or sensation. The information consists of underlying patterns or 'invariants' for vital features to the environment. Gibson's view of depiction concerns the re-presentation of these invariants.
A Translight or Translite is a large illuminated film backing typically used as a backdrop in the film and TV industry. The name of Translite originally came from the black-and-white display film made by the Eastman Kodak Company. Pacific Studios [1] in Los Angeles was the sole producer of Translites from about 1950 until about 1979.
Discuss production requirements with the camera operator (Cinematographer). Select lights and equipment to be used and organize any additional equipment (Gaffer). Set up, focus and operate light fixtures and equipment. Control consoles and auxiliary equipment. Choose and combine colors to achieve the desired effect (Cinematographer/Gaffer).