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In Japan today, two particular idiosyncratic postcard customs exist: New Year's Day postcards (年賀状, nengajō) and return postcard s (往復はがき, ōfuku-hagaki). New Year's Day postcards serve as greeting cards , similar to Western Christmas cards , while return postcards function similarly to a self-addressed stamped envelope ...
A typical 1940s–early 1950s black-and-white real photo postcard. A real photo postcard (RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard images.
From the early 1960s the colour postcard replaced the real photograph monochrome cards produced by the Sankeys and the photographic paper manufacturers ceased to supply the double sided paper with pre-printed back used by the autoprinter, which was replaced by a proprietary colour printing machine. There were few Sankey postcards printed after ...
"Greetings from Chicago, Illinois" large-letter postcard produced by Curt Teich The history of postcards is part of the cultural history of the United States. Especially after 1900, "the postcard was wildly successful both as correspondence and collectible" and thus postcards are valuable sources for cultural historians as both a form of epistolary literature and for the bank of cultural ...
In gravure printing, the image is engraved onto a cylinder because, like offset printing and flexography, it uses a rotary printing press. Once a staple of newspaper photo features, the rotogravure process is still used for commercial printing of magazines, postcards, and corrugated (cardboard) and other product packaging.
Printing is suited to mail artists who distribute their work widely. Various printmaking techniques, in addition to rubber stamping, are used to create multiples. Copy art (xerography, photocopy) is a common practice, with both mono and color copying being extensively used within the network. [ 2 ]
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