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Some liturgical dance was common in ancient times or non-Western settings, with precedents in Judaism beginning with accounts of dancing in the Old Testament.An example is the episode when King David danced before the Ark of the Covenant (), but this instance is often considered to be outside of Jewish norms and Rabbinic rituals prescribed at the time.
A shout (or praise break) is a kind of fast-paced Black gospel music accompanied by ecstatic dancing (and sometimes actual shouting). It is sometimes associated with "getting happy" . It is a form of worship/praise most often seen in the Black Church and in Pentecostal churches of any ethnic makeup, and can be celebratory, supplicatory ...
Praise ye the L ORD. Praise God in his sanctuary: praise him in the firmament of his power. Praise him for his mighty acts: praise him according to his excellent greatness. Praise him with the sound of the trumpet: praise him with the psaltery and harp. Praise him with the timbrel and dance: praise him with stringed instruments and organs.
[2] Ring shouts have often used as an act of praise when a person accepts the message of Christianity. [2] As such, they are also known as "Hallelujah Marches", with the word Hallelujah meaning "Praise Jahweh". [14] The term "Victory March" has been used to reference the Christian concept of actively serving God and living victoriously over sin ...
Singing in the Spirit or singing in tongues, in Pentecostal and charismatic Christianity, is the act of worshiping through glossolalic song. The term is derived from the words of Paul the Apostle in 1 Corinthians 14:15, "I will pray with my spirit, but I will pray with my mind also; I will sing praise with my spirit, but I will sing with my mind also".
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
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David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."