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Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long ...
Many roots musicians do not consider themselves folk musicians. The main difference between the American folk music revival and American "roots music" is that roots music seems to cover a broader range, including blues and country. Roots music developed its most expressive and varied forms in the first three decades of the 20th century.
Folk plays such as Hoodening, Guising, Mummers Play and Soul Caking are generally verse sketches performed in countryside pubs in European countries, private houses or the open air, at set times of the year such as the Winter or Summer solstices or Christmas and New Year. Many have long traditions, although they are frequently updated to retain ...
Folk music [1] is one of the major divisions of music, now often divided into traditional folk music and contemporary folk music.There are many styles of folk music, all of which can be classified into various traditions, generally based around some combination of ethnic, religious, tribal, political or geographic boundaries.
These intangible folk art forms only became grouped as such in the second half of the 20th century, when the two terms "folklore performance" and "text and context" dominated discussions among folklorists. Performance is frequently tied to verbal and customary lore, whereas context is used in discussions of material lore.
The Newport Folk Festival was cofounded in 1959 by jazz promoter George Wein and music manager Albert Grossman. (The latter is best known for representing Dylan between 1962 and 1970.)
Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
At the same time, Canadian folk music became more formalized and commercialized with the rise of specialized folk festivals (beginning with the Miramichi Folksong Festival in 1958), increased radio airplay on rock, pop, and easy listening radio stations, the introduction of the Juno Award for Folk Artist of the Year in 1971, and even an ...