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The clean-up artists will follow the intentions of the animators and stay true to performance and movement. Clean-up is generally done on a new sheet of paper. They can be done on the same sheet as the rough animation if this was done with a "non-copy blue" pencil.
He is remembered for having worked "rough" and "loose", in animation terms, with a focus on feeling, action, and the character's personality rather than detail, structure, or formal draftsmanship. Fellow animator Fred Moore is quoted as having said of Ferguson, "He doesn't know that you can't raise the eyebrows above the head circle, so he goes ...
Rough Draft Studios, Inc. is an American animation production studio based in Glendale, California, [1] with a second studio in Glendale [2] and its sister studio Rough Draft Korea located in Seoul, South Korea. [3] The studio was founded in Van Nuys, Los Angeles by Gregg Vanzo in 1991.
Gregg Vanzo began his career as an animator on Bill Kroyer's Technological Threat, Steven Spielberg's Amazing Stories and key animator for the short Box Office Bunny before beginning work on The Simpsons in storyboards, directing, and layout artistry. From there, Vanzo became the overseas supervisor on The Critic.
Frame frequency often varies depending on animation style and is an artistic choice. Animation "on twos" has been used for over 100 years; Fantasmagorie (1908), widely considered the first fully animated movie, was animated on twos. Modern animation uses various techniques to adapt frame rates. Slow movements may be animated on threes or fours.
He then became an assistant animator for Ollie Johnston on the 1953 film Peter Pan; they animated the character Mr. Smee. Describing their working process, Hale explained: "[Johnston] would do the rough animation. He would go through the scene and time it out and do all the key extremes and then I would fill in the other drawings."