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Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.. In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem.
Traditionally used to convey the idea of love. Shakespeare’s sonnet sequence, for example, seeks to discover new ways of imagining love. In Shakespeare’s sonnet 130, he describes the lady’s beauty skillfully and playfully such that every image of beauty it sets up is immediately refused to mock conventional Renaissance ideas of female beauty.
Original printing of Sonnet 18. In Sonnet 18 the speaker offers an extended metaphor which compares his love to Summer. [6] Shakespeare also makes use of extended metaphors in Romeo and Juliet, most notably in the balcony scene where Romeo offers an extended metaphor comparing Juliet to the sun. It is the east, and Juliet is the sun.
—From Shakespeare, Sonnet 18. The beloved, whose beauty Shakespeare idolizes here, is given the gift of immortality by the poet; the first two quatrains primarily address different ways in which the physical beauty of the material world inherently dims, fades, and/or falls short of ideal beauty at some point.
Addressed to a star (perhaps Polaris, around which the heavens appear to wheel), the sonnet expresses the poet's wish to be as constant as the star while he presses against his sleeping love. The use of the star imagery is unusual in that Keats dismisses many of its more apparent qualities, focusing on the star's steadfast and passively ...
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
"The Influence of a Genevan Note from Romans 7:19 on Shakespeare's Sonnet 151" Notes and Queries 44(4) (Dec 1997): 514–6. Stritmatter, Roger A. The Marginalia of Edward de Vere's Geneva Bible: Providential Discovery, Literary Reasoning, and Historical Consequence Feb 2001.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.).