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  2. Der Freischütz - Wikipedia

    en.wikipedia.org/wiki/Der_Freischütz

    Der Freischütz (J. 277, Op. 77 The Marksman [1] or The Freeshooter [2]) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun [3] from their 1810 collection Gespensterbuch.

  3. Gespensterbuch - Wikipedia

    en.wikipedia.org/wiki/Gespensterbuch

    Title page illustration from volume one, depicting "Der Freischütz "The Gespensterbuch (literally 'Ghost Book' or 'Book of Spectres' [1]) is a collection of German ghost stories written by August Apel and Friedrich Laun and published in seven volumes between 1810 and 1817.

  4. Freischütz - Wikipedia

    en.wikipedia.org/wiki/Freischütz

    Freischütz is a German compound word, consisting of frei (' free ') and Schütz (' shooter ' or ' rifleman '). There are several theories that try to explain why the word frei is used. One is that it has a military origin, perhaps from terms like Freikorps (independent ' free- corps ' regiments), or the French franc-archer ( ' free-archer ' ).

  5. List of operas by Carl Maria von Weber - Wikipedia

    en.wikipedia.org/wiki/List_of_operas_by_Carl...

    Der Freischütz, his most famous and significant work, remains among the most revered German operas. [6] After his family moved to Munich in 1798, the 13 year old Weber began study with Johann Nepomuk Kalcher, under whose supervision he wrote his first opera, the Singspiel Die Macht der Liebe und des Weins; the work was never performed.

  6. The Black Rider - Wikipedia

    en.wikipedia.org/wiki/The_Black_Rider

    The project began in about 1988 when Wilson approached Waits. The story is based on the German folktale "Der Freischütz", which had previously adapted as an opera by Carl Maria von Weber. It premiered at Hamburg's Thalia Theatre on 31 March 1990, and was performed at Paris's Théâtre du Châtelet on 9 October 1990.

  7. Konzertstück in F minor (Weber) - Wikipedia

    en.wikipedia.org/wiki/Konzertstück_in_F_minor...

    On the morning of the Der Freischütz premiere, Weber played the Konzertstück through to his wife Caroline and his pupil Julius Benedict, and told them the program: [1] (F minor; Larghetto affetuoso): "A châtelaine sits alone on her balcony, gazing off in the distance. Her knight has gone on a Crusade to the Holy Land.

  8. Johann August Apel - Wikipedia

    en.wikipedia.org/wiki/Johann_August_Apel

    Der Freischütz" was Apel's version of the Freischütz folktale, and it was published as the first story of the first volume of his and Friedrich Laun's Gespensterbuch horror anthology (1810). Friedrich Kind and Carl Maria von Weber drew on this version as the main source for the story of their opera Der Freischütz (1821).

  9. Johann Friedrich Kind - Wikipedia

    en.wikipedia.org/wiki/Johann_Friedrich_Kind

    Johann Friedrich Kind (4 March 1768, in Leipzig – 24 June 1843 in Dresden) was a German dramatist, most famous for writing the libretto for Carl Maria von Weber's opera Der Freischütz (1821). Biography