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Netotiliztli was also not associated with a particular location, and could be practiced in public in temples, or in private settings. [7] The dances could occur at any time, although celebrations often aligned with the agricultural season, as festivals and ceremonies marked the beginning of the agriculture season to ensure a plentiful harvest.
As Aztec society was in part centered on warfare, every Aztec male received some sort of basic military training from an early age. Typically by the time the child reached three years of age, the boy would begin to take simple instruction at the hands of his father on the tasks expected of men, no matter what social class they fell into. [ 5 ]
Ītzpāpalōtl [a] ("Obsidian Butterfly") was a goddess in Aztec religion. She was a striking skeletal warrior and death goddess and the queen of the Tzitzimimeh. She ruled over the paradise world of Tamōhuānchān, the paradise of victims of infant mortality and the place identified as where humans were created. [1]
[8] [9] Toltec groups were making feathered items from black and white feathers of local origin. [5] The most developed use of feathers in Mesoamerica was among the Aztecs, Tlaxcaltecs and Purepecha. [1] Feathers were used to make many types of objects from arrows, fly whisks, fans, complicated headdresses and fine clothing. [10]
Varieties of clothing worn by Aztec men, before the Spanish conquest. Basic dress of an Aztec woman before the Spanish conquest. Over time the original, predominantly kin-ship-based style of textile production gave way to more workshop and class-based production. [7] Producing the fibers to make clothing was a highly gendered operation. [3]
This is a list of gods and supernatural beings from the Aztec culture, its religion and mythology. Many of these deities are sourced from Codexes (such as the Florentine Codex (Bernardino de Sahagún), the Codex Borgia (Stefano Borgia), and the informants). They are all divided into gods and goddesses, in sections.