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John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...
However, his most famous poem was "Dawn on the Irish Coast", written in 1877 and later included in school books by the Irish Christian Brothers whose founder Edmund Rice was also born in Callan. This poem under the title of "Morning on the Irish coast" is printed in Volume 5 of Irish Literature edited by Justin McCarthy and published by John D ...
Which I gaze on so fondly to-day, Were to change by to-morrow, and fleet in my arms, Like fairy-gifts fading away,— Thou wouldst still be ador'd as this moment thou art, Let thy loveliness fade as it will; And, around the dear ruin each wish of my heart Would entwine itself verdantly still! II.
Ahead, literary icons give their two cents on the day’s dawn (oh, E.B. White, we love the way you think: “But I arise in the morning torn between a desire to improve the world and a desire to ...
The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of How Does a Poem Mean?, John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind ...
The sonnet has always been popular, escaping the generally excoriating reviews from critics such as Francis Jeffrey in the Edinburgh Review when Poems in Two Volumes was first published. The reason undoubtedly lies in its great simplicity and beauty of language, turning on Dorothy's observation that this man-made spectacle is nevertheless one ...
“The Second Coming” is a poem written by Irish poet William Butler Yeats in 1919, first printed in The Dial in November 1920 and included in his 1921 collection of verses Michael Robartes and the Dancer. [1] The poem uses Christian imagery regarding the Apocalypse and Second Coming to describe allegorically the atmosphere of post-war Europe ...
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