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The Pearl is a novella by the American author John Steinbeck. The story, first published in 1947, [ citation needed ] follows a pearl diver , Kino, and explores man’s purpose as well as greed, defiance of societal norms, and evil.
Pearl (Middle English: Perle) is a late 14th-century Middle English poem that is considered one of the most important surviving Middle English works. With elements of medieval allegory and from the dream vision genre, the poem is written in a North-West Midlands variety of Middle English and is highly—though not consistently—alliterative; there is, among other stylistic features, a complex ...
The Hymn of the Pearl (also Hymn of the Soul, Hymn of the Robe of Glory or Hymn of Judas Thomas the Apostle) is a passage of the apocryphal Acts of Thomas. In that work, originally written in Syriac, the Apostle Thomas sings the hymn while praying for himself and fellow prisoners. Some scholars believe the hymn predates the Acts, as it only ...
Parting, Sanqiao gives him a pearl-sewn shirt, which is an important family heirloom of the Jiang family. In his travels south, he meets Jiang Xingge. Chen confesses about his love affair but is ignorant to the fact that he is speaking to Sanqiao's husband. Chen shows Xingge the pearl shirt, and Xingge knows.
The Pearl Manuscript (British Library MS Cotton Nero A X/2), also known as the Gawain manuscript, [1] is an illuminated manuscript produced somewhere in northern England in the late 14th century or the beginning of the 15th century.
Cleanness (Middle English: Clannesse) is a Middle English alliterative poem written in the late 14th century. Its unknown author, designated the Pearl poet or Gawain poet, also appears, on the basis of dialect and stylistic evidence, to be the author of Sir Gawain and the Green Knight, Pearl, and Patience, and may have also composed St. Erkenwald.
The Acts of Peter and the Twelve [1] [2] or the Acts of Peter and the Twelve Apostles [3] [4] is a Christian text from about the 4th century. [5] It is the first treatise in Codex VI of the Nag Hammadi library texts, [6] [7] taking up pages 1–12 of the codex's 78 pages. [6]
Composition of the work probably began circa 1386, and the work was completed in 1390. The prologue of this first recension recounts that the work was commissioned by Richard II after a chance meeting with the royal barge on the River Thames; the epilogue dedicates the work to Richard and to Geoffrey Chaucer, [2] as the "disciple and poete" of Venus.