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The two most common types of speaker enclosure are acoustic suspension (sometimes called pneumatic suspension) and bass reflex.In both cases, the tuning affects the lower end of the driver's response, but above a certain frequency, the driver itself becomes the dominant factor and the size of the enclosure and ports (if any) become irrelevant.
Villchur's speaker systems provided improved bass response while reducing the speaker's cabinet size. Acoustic Research, Inc. (AR), of which he was president from 1954 to 1967, manufactured high-fidelity loudspeakers, turntables, and other stereo components of his design, and demonstrated their quality through "live vs. recorded" concerts. The ...
Thiel Audio: United States TOA Corp. Japan U-Turn Audio: United States Vandersteen: United States Velodyne Acoustics: United States Veritone Minimum Phase Speakers: United States Vifa: Denmark Wharfedale: United Kingdom (brand) Wilson Audio: United States Wilson Benesch: United Kingdom Yamaha: Japan Yorkville Sound: Canada ZR Speaker Lab ...
After this, they jointly decided to manufacture the new speaker design which became known as the "AR-1", the first commercial acoustic-suspension loudspeaker system. Villchur was 100% responsible for the design and patent of the system; Kloss was responsible for perhaps 75% of the mechanical design of the speaker cabinet and system. [3]
A dead or inert acoustic may be best, especially if properly filled with 'surround' reproduction, so that the reverberant field of the original space is reproduced realistically. This is currently quite hard to achieve, and so the ideal loudspeaker systems for stereo reproduction would have a uniform dispersion at all frequencies.
Benjamin Olney – originated the idea of a duct in speaker enclosure design, which he termed an "acoustic labyrinth", while working for Stromberg-Carlson as an acoustic engineer and studying the effect of enclosure size on output sound. Bailey and Radford – worked together and developed the concept for loudspeakers (1965).