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It sat roughly 5,000 spectators. In the Greek style, the tiered seating extends from the orchestra carved out of the hillside. Around 2 BC, the theatre was renovated and presented to the city of Pompeii as a gift by two relatives, M. Holconius Rufus and M. Holconius Celer, according to an inscription in the theatre.
In contrast, both ancient Greek and ancient Roman theatres were built in a semicircle, with tiered seating rising on one side of the performance area. Modern English parlance uses "amphitheatre" for any structure with sloping seating, including theatre-style stages with spectator seating on only one side, theatres in the round, and stadia. They ...
It stretched over the whole of the cavea, the seating area in amphitheaters, to protect spectators from the sun. [ 4 ] [ 2 ] Retractable awnings were relatively common throughout the Roman Empire. Though the precise details are unclear, the awning was evidently usually supported by wooden masts, the sockets and brackets for which remain on the ...
The Amphitheatre of Pompeii in the 1800s, one of the earliest known Roman amphitheatres. It is uncertain when and where the first amphitheatres were built. There are records attesting to temporary wooden amphitheatres built in the Forum Romanum for gladiatorial games from the second century BC onwards, and these may be the origin of the architectural form later expressed in stone. [5]
The pit is usually a large opening ranging from 4–6 feet (1.2–1.8 m) wide, 20–40 feet (6.1–12.2 m) long and 6–10 feet (1.8–3.0 m) deep. Some orchestra pits have lifts or elevators that can raise the floor of the pit up to the same height as the stage. This allows for easier movement of instruments among other things.
The towers jutting out from the top are medieval add-ons. Built in 90 AD, the amphitheatre held over 20,000 spectators of chariot races and bloody hand-to-hand battles. Nowadays, it draws smaller crowds for bullfighting during the Feria d'Arles , [ 1 ] as well as plays and concerts in summer.