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The three-panel fire screen, which covers the fireplace almost completely, has two side panels angled away from the central panel. It is an effective way of providing decoration in a room. The horse screen, or cheval screen (cheval is the French word for horse) was in common use from the 18th century. It is a wide screen having two feet on each ...
In the upper halls of French manor houses, the fireplaces were usually very large and elaborate. The great hall typically had the finest decorations, as well as on the window frame mouldings of the outer wall. Many French manor houses have very beautifully decorated external window frames on the large mullioned windows that light the hall.
Two double-height windows are situated on the south side of the Hall, whilst on the north side is the large granite fireplace, on the lintel of which is carved the arms of Parker, and above which on the chimney breast is a very large ornamental plaster depiction of the royal coat of arms of King Charles I (1625–1649), dated to 1640.
The screen was usually made of a pleated or straight piece of heavy fabric, supported by crossed and sliding metallic supports. Many fire screen desks still exist, but the original screens have rarely survived. The metal supports or rods which extended the screens generally have been maintained with the desk.
The earliest surviving dateable feature is of the late 16th century. It is essentially a three-room "cross-passage" house, with the original great hall on the higher side to the right of the screens passage, originally with a fireplace at the higher end. The entrance porch retains a (worn-away) sculpted heraldic shield in the apex, with a reset ...
Many flaws were found in early fireplace designs. Along with the Industrial Revolution, came large-scale housing developments, necessitating a standardization of fireplaces. The most renowned fireplace designers of this time were the Adam Brothers: John Adam, Robert Adam, and James Adam. They perfected a style of fireplace design that was used ...
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