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National Velvet is a novel by Enid Bagnold (1889–1981), first published in 1935. It was illustrated by Laurian Jones , Bagnold's daughter, who was born in 1921. The novel tells the story of a teenaged girl who wins a horse racing competition.
The film differs from the book in a number of respects. For example, Velvet's horse in the book is a piebald, and thus is given the name "The Piebald" or "The Pie" for short. In the movie, Pie is a chestnut, and another explanation for his name was given. Velvet, in the book, is a sickly child who is given to great imagination and spirit; her ...
Bagnold published her autobiography in 1969. She died on 31 March 1981 from bronchopneumonia [11] and was cremated at Golders Green. [12] Her biography, by Anna Sebba and published in 1987, revealed some of the more problematic and contradictory aspects of her life: literary feuds, her marriage, her approach to motherhood, pre-war Nazi sympathies, her morphine addiction, and her contempt of ...
National Velvet is a novel by Enid Bagnold. National Velvet can also refer to: National Velvet, a film adaptation starring Elizabeth Taylor; National Velvet, a TV adaptation; National Velvet (band), a 1980s Canadian rock band; National Velvet, a sculpture by John McEnroe
Dawn Catherine Menzer (April 18, 1947 – April 4, 2010), known professionally as Lori Martin, was an American actress.A child actress for most of her career, she first achieved recognition as the title character of the NBC drama series National Velvet (1960–1962).
The Velvet Underground soon found a more appreciative audience when artist Andy Warhol spotted them and set them up at the Factory, his Manhattan studio-and-happening space.
International Velvet is a 1978 American film and a sequel to the 1944 picture National Velvet starring Tatum O'Neal, Christopher Plummer, Anthony Hopkins and Nanette Newman, and directed by Bryan Forbes. [1] The film received mixed reviews. International Velvet was partly filmed at Birmingham University, England.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.