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[19] [20] Chatelaine was a common accessory for women, as it was often hung from below the belt as an extension, either decorated with charms or used as tools by working women. This can be seen in many paintings at the time and on gravestones. The accessory was a staple until it was replaced by the purse in the late 1800s.
Amsterdam Rainbow Dress, dress made of more than 70 flags of nations where homosexuality is illegal; Berry Dress, a 1994 mixed-media sculpture by Alice Maher; Climate Dress, embedded with LEDs that change color in reaction to carbon dioxide in the air; Red Dress, an international 2009-2022 collaborative embroidery project coordinated by Kirstie ...
With England and France mired in the Hundred Years War and its aftermath and then the English Wars of the Roses through most of the 15th century, European fashion north of the Alps was dominated by the glittering court of the Duchy of Burgundy, especially under the fashion-conscious power-broker Philip the Good (ruled 1419–1469).
1837 dress. During the start of Queen Victoria's reign in 1837, the ideal shape of the Victorian woman was a long slim torso emphasised by wide hips. To achieve a low and slim waist, corsets were tightly laced and extended over the abdomen and down towards the hips. [4]
The dresses had a fitted bodice and it gave a high-waist appearance. The style had waxed and waned in fashion for hundreds of years. The shape of the dresses also helped to lengthen the body's appearance. The clothing can also be draped to maximize the bust. Lightweight fabrics were typically used to create a flowing effect.
During the early 18th century the first fashion designers came to the fore as the leaders of fashion. In the 1720s, the queen's dressmaker Françoise Leclerc became sought-after by the women of the French aristocracy, [4] and in the mid century, Marie Madeleine Duchapt, Mademoiselle Alexandre and Le Sieur Beaulard all gained national recognition and expanded their customer base from the French ...
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In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...