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The Dollars Trilogy (Italian: Trilogia del dollaro), also known as the Man with No Name Trilogy (Italian: Trilogia dell'Uomo senza nome), is an Italian film series consisting of three spaghetti western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the ...
[17] [18] Initially, Chuck Dixon was scheduled to take over the writing chores with issue #12, but Dynamite ended the series and opted to use Dixon's storyline for a new series titled The Good, The Bad and The Ugly. [19] The new series is not an adaptation of the movie, despite its title. After releasing eight issues, Dynamite abandoned the series.
It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, both also starring Eastwood. Collectively, the films are known as the Dollars Trilogy, or the Man with No Name Trilogy, after the United Artists publicity campaign referred to Eastwood's character in all three films as the "Man with No Name". All three films were ...
Category:Dollars Trilogy. 8 languages. Euskara; ... The Good, the Bad and the Ugly; The Good, the Bad and the Ugly (soundtrack) The Good, the Bad and the Ugly (theme) N.
Leone's next two films, For a Few Dollars More (Per qualche dollaro in più, 1965) and The Good, the Bad and the Ugly (Il buono, il brutto, il cattivo, 1966), completed what has come to be known as the Man with No Name trilogy (or the Dollars Trilogy), with each film being more financially successful and more technically accomplished than its ...
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The Good, the Bad and the Ugly is the last film in the Dollars Trilogy, and thus, does not have an official sequel. However, screenwriter Luciano Vincenzoni stated on numerous occasions that he had written a treatment for a sequel, tentatively titled Il buono, il brutto, il cattivo n. 2 (The Good, the Bad and the Ugly 2). According to ...
[31] Film historian Richard Schickel, in his biography of Clint Eastwood, believed that this was the best film in the trilogy, arguing that it was "more elegant and complex than A Fistful of Dollars and more tense and compressed than The Good, the Bad and the Ugly".