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Paul Celan (/ ˈ s ɛ l æ n /; [1] German: [ˈtseːlaːn]), born Paul Antschel, (23 November 1920 – c. 20 April 1970) was a Romanian-born French poet, Holocaust survivor, and literary translator. Celan is regarded as one of the most important figures in German-language literature of the post- World War II era and a poet whose verse has ...
In 2005, he held his second exhibition in Galerie Thaddaeus Ropac's Salzburg location, Für Paul Celan [33] which focused on Kiefer's preoccupation with the book, linking references to Germanic mythology with the poetry of Paul Celan, a German-speaking Jew from Czernowitz. The exhibition featured eleven works on canvas, a series of bound books ...
Celan was born to a Jewish family in Cernăuți, Romania (now Chernivtsi, Ukraine); his parents were murdered in the Holocaust, and Celan himself was a prisoner for a time in a work camp. The poem has reached international relevance by being considered to be one of the most important poems of the post-war period and the most relevant example of ...
Die Niemandsrose (The No-One's Rose) is a 1963 German-language poetry collection by Paul Celan, [1] dedicated to the memory of Osip Mandelstam. [2]The publication of Die Niemandsrose consolidated Celan's reputation among the most important contemporary poets writing in German. [3]
Der Sand aus den Urnen (in English, The Sand from the Urns), is a German-language poetry collection by Paul Celan, published in Vienna in 1948. [1] It was the first publication of Celan in German, and contains one of his best-known poems, "Todesfuge" (written 1944–45). The small edition contained many misprints, and was withdrawn by the author.
Kiefer Sutherland told The Guardian in 2018 that he and his twin sister had been very close since they were children. “Being a twin taught me the value of having a companion,” said the actor.
James Buchan of The Guardian wrote in 2007 of Ian Fairley's translation of the poems: "I do not think that Celan was a sort of verse Heinrich Böll, who set himself to rid written German of National Socialist patterns of speech and writing....Only when language is utterly disabled, it seems, can it articulate, in some abandoned region at the end of space and history, a fugitive echo of reality."
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