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The Houston Bowery Wall, also known simply as the Bowery Wall, is a mural wall owned by Goldman Properties [1] in the East Village and NoHo neighborhoods of Manhattan in New York City. The concrete wall, on Houston St and the intersection of the Bowery , had been a popular graffiti spot in the early 1980s, when street artist Keith Haring ...
Pages in category "Murals in New York City" The following 22 pages are in this category, out of 22 total. This list may not reflect recent changes. 0–9. 5 Pointz; A.
Twenty-three years since the 9/11 attacks, take a look at how the Financial District, the World Trade Center site, and Manhattan's skyline have changed. Photos show the dramatic changes to ...
The RCA Building in December 1933 during the construction of Rockefeller Center. The photograph depicts eleven men eating lunch while sitting on a steel beam 850 feet (260 meters) above the ground on the sixty-ninth floor of the near-completed RCA Building (now known as 30 Rockefeller Plaza) at Rockefeller Center in Manhattan, New York City, on September 20, 1932.
The history of skyscrapers in New York City began with the construction of the Equitable Life, Western Union, and Tribune buildings in the early 1870s. These relatively short early skyscrapers, sometimes referred to as "preskyscrapers" or "protoskyscrapers", included features such as a steel frame and elevators—then-new innovations that were used in the city's later skyscrapers.
Manhattan is a large scale mural by the German artist and colorist Josef Albers. The mural was first installed in New York City's MetLife Building, originally the Pan Am Building. Removed in 2001 during renovations of the building's lobby, the mural was rebuilt in 2019 according to Albers' original specifications.
Crack Is Wack is a mural created in 1986 by American artist and social activist Keith Haring.. Located near the Harlem River Drive in the East Harlem neighborhood of Manhattan in New York City, the mural serves as a warning against crack cocaine use, which was rampant in major cities across the United States during the mid to late 1980s.
The Durst Corporation, building developers of the One World Trade Center, appointed Asher Edelman and his gallery, Edelman Arts, to curate the art for the new building. The team selected a few artists, all American, to contribute art for the new building, deciding that all the art in the new building should be abstract and reflect the theme of unity.