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Now We Are Six is a 1927 book of children's poetry by A. A. Milne, with illustrations by E. H. Shepard.It is the second collection of children's poems following Milne's When We Were Very Young, which was first published in 1924.
Alan Alexander Milne (/ m ɪ l n /; 18 January 1882 – 31 January 1956) was an English writer best known for his books about the teddy bear Winnie-the-Pooh, as well as children's poetry. Milne was primarily a playwright before the huge success of Winnie-the-Pooh overshadowed his previous work.
When We Were Very Young is a best-selling book of poetry by A. A. Milne. [1] It was first published in 1924, and it was illustrated by E. H. Shepard.Several of the verses were set to music by Harold Fraser-Simson.
"Vespers" is a poem by the British author A.A. Milne, first published in 1923 by the American magazine Vanity Fair, and later included in the 1924 book of Milne's poems When We Were Very Young when it was accompanied by two illustrations by E.H. Shephard. It was written about the "Christopher Robin" persona of Milne's son Christopher Robin Milne.
A song was created from the poem by Harold Fraser-Simson, who put many of Milne's poems to music. "Halfway Down the Stairs" was used in the first season of The Muppet Show. The performance was staged in the middle of a flight of stairs, and became the most significant performance of the season for Kermit the Frog's nephew Robin the Frog.
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Toad of Toad Hall is a play written by A. A. Milne – the first of several dramatisations of Kenneth Grahame's 1908 novel The Wind in the Willows – with incidental music by Harold Fraser-Simson. It was originally produced by William Armstrong at the Playhouse Theatre, Liverpool , on 21 December 1929.
Milne, though he had written dozens of plays and screenplays through the 1910s and 1920s, had become best known by far for his Winnie-the-Pooh stories. He was conflicted about his success, and in the introduction to The Ivory Door, he lamented what he perceived to be his new reputation for "whimsy": "I have the Whimsical label so firmly round my own neck that I can neither escape from it nor ...