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The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
Starting in 1968 Gibson made J-45s as square-shouldered dreadnought-shaped guitars with a longer scale (25.5"), similar to the Gibson Dove. Serial numbers tell us that during '68 and '69 both slope-shouldered and square-shouldered J-45s were made before the model changeover was complete. In the '70s the J-45 was re-labeled as the J-45 Deluxe.
The first serial number was 0178, instead of the usual 0001, as a reference to the month the first bass was completed, January 1978. [5] In 1990, Gibson Guitar Corporation purchased Tobias and moved production to Nashville. The first Tobias bass under Gibson ownership bore the serial number 1094.
The B-45-12, a 12-string edition guitar introduced in 1961, was the first B-45 model guitar available and the first B series overall. The B-45-12 had a mahogany body and neck, spruce top, rosewood fingerboard, and a cherry sunburst finish, and was made with "round" shoulders for the 1961 – 1962 model year and "square" shoulders until the end of its production in 1979.
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Gibson released a Jimmy Page Signature EDS-1275 model in 2007; a total of 250 were made. [17] Page kept serial number one for himself. Serial numbers 2 through 26 of these were played and signed by Page; number 11 was donated for auction to benefit a charitable cause. [18] In 2019, Gibson announced a black model for Slash. [19]
The Melody Maker was returned to the Gibson line as a sub-model of the Les Paul model. [10] It offered a mixture of traditional Melody Maker features (straight-sided headstock, white button tuners, jack positioned on the top) and traditional Les Paul Junior features (bridge-mounted dogear P-90 pickup, Junior-style control mounting and pattern).
In the late 1960s, Gibson introduced the ES-150DC, which was a significantly different instrument, despite its similar model number. The ES-150DC was a hollowbody electric guitar with a double-cutaway body similar in appearance to the semi-hollow 335 guitars (except for a greater body thickness).