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Transportation ballads are a genre of broadside ballads that concern the transportation of convicted criminals, originally to the American colonies and later to penal colonies in Australia. They were intended to serve as warnings of the hardships that come with conviction and thereby a deterrent against criminal behavior.
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It is a cautionary tale describing the fate of a man convicted of poaching and sentenced to transportation to the British penal colony in Van Diemen's Land, (modern day Tasmania). There is another song also called "Van Diemen's Land" which has been collected in England, Scotland, Ireland and the USA. It has a different story and tune. [2]
The Peeler and the Goat was intended to poke fun at a number of factors affecting 19th century Ireland. Even though the Penal Laws, which had been passed as religious persecution of Irish Catholics, had been overturned by the Catholic Emancipation in 1829, pervasive religious discrimination continued until the end of the Irish War of Independence in 1922.
In music site Allmusic, reviewer Stanton Swihart states, "As inventive as it is, the album perhaps draws a bit too freely from the XTC melodic bag of tricks, and occasionally Ruben's most experimental quirks sabotage his songs. But on the whole, Modes of Transportation, Vol. 1 is a confectionary treat."
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
These are lists of songs.In music, a song is a musical composition for a voice or voices, performed by singing or alongside musical instruments. A choral or vocal song may be accompanied by musical instruments, or it may be unaccompanied, as in the case of a cappella songs.
A version of the song with the candidate's name changed became a 1959 hit when recorded and released by The Kingston Trio, an American folk singing group. [1] The song has become so entrenched in Boston lore that the Boston-area transit authority named its electronic card-based fare collection system the "CharlieCard" as a tribute to this song. [2]