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Backside view of a strainer frame displaying corner construction. A strainer bar is used to construct a wooden stretcher frame used by artists to mount their canvases.They are traditionally a wooden framework support on which an artist fastens a piece of canvas.
It allows the canvas weave to "roll over" the profile rather than snap over a sharp edge which is a major cause of canvas cracking. [3] It also increases the surface area of the frame, which reduces its friction with the canvas. This will make it easier to pull the canvas and make it more taut. [4]
The frame is usually 1.25" (approx. 4 cm) thick. As a result, the hardware (staples or tacks) used to secure the canvas are not visible. The sides of the canvas are prepared and primed in the same manner as the face or front. They may then be painted a solid color (usually white) or painted to continue the image appearing on the face.
The modern practice is to stretch the canvas on a wooden frame. [8] Fabric made of glass fiber has an advantage of being mold-resistant, but is brittle when sized. [9] Fabrics are relatively fragile and deteriorate with time, so the relining (gluing of another layer of fabric to the back of the original canvas) is used for the last few ...
Splined canvases differ from traditional side-stapled canvas in that canvas is attached with a spline at the rear of the frame. This allows the artist to incorporate painted edges into the artwork itself without staples at the sides, and the artwork can be displayed without a frame.
Frame & Canvas is the third studio album by American rock band Braid.It was released on April 7, 1998, through Polyvinyl Record Co. After the release of the band's second studio album, The Age of Octeen (1996), drummer Damon Atkinson replaced Roy Ewing due to him being unable to commit to touring.