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Many songs in Indian films are based on ragas of Indian classical music. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale.
Hindi film songs, more formally known as Hindi Geet or filmi songs and informally known as Bollywood music, are songs featured in Hindi films.Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. [1]
Lata Mangeshkar (born Hema Mangeshkar; 28 September 1929 – 6 February 2022) was an Indian legendary playback singer, music producer and music director who made music in Hindi and other Indian languages. Many of her old songs have featured in various new films (Bollywood or Indian films) and have also been credited. But such songs, unless re ...
The soundtrack featured seven songs composed by Anu Malik with lyrics written by Varun Grover and was released under the YRF Music on 6 February 2015 to positive reviews from critics and won two National Film Awards, including Best Female Playback Singer for Monali Thakur and Best Lyrics for Varun Grover, for the song "Moh Moh Ke Dhaage".
If you have an ear for classic music, then this is a must album for you. It tells a story that other musical tracks have missed out so far." [13] Sankhayan Ghosh of The Indian Express wrote "The set of three excellent songs are weighed down by a couple of ordinary ones, but on the whole, Bombay Talkies stands above an average Bollywood album."
) is a song from the 1960 Hindi film Mughal-e-Azam, directed by K. Asif. The song is composed by Naushad, written by Shakeel Badayuni, and sung by Lata Mangeshkar with a chorus. It is picturised on Madhubala, who plays the role of the beautiful courtesan Anarkali in the film. It is shot in technicolour.
Indian classical music is the classical music of the Indian subcontinent. [1] It is generally described using terms like Shastriya Sangeet and Marg Sangeet. [2] [3] It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. [4]
Tappa is a form of Indian semi-classical vocal music whose specialty is its rolling pace based on fast, subtle, knotty construction. It originated from the folk songs of the camel riders of Punjab and was developed as a form of classical music by Mian Ghulam Nabi Shori or Shori Mian, a court singer for Asaf-Ud-Dowlah, the Nawab of Awadh.