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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
The beads were integrated in Native American jewelry using various beadwork techniques. Trade beads were also used by early Europeans to purchase African resources, [2] including slaves in the African slave trade. Aggry beads are a particular type of decorated glass bead from Ghana. The practice continued until the early twentieth century.
Martha Berry was born in 1948 and raised in Tulsa, Oklahoma. [4] She is a registered tribal citizen of the Cherokee Nation. [4] Berry's grandmother and mother taught her how to sew and embroider at age five. [4]
Jackie Larson Bread is a Native American beadwork artist from the Blackfeet Reservation in Browning, Montana. [1] Her interest in bead work was sparked from looking at her late-grandmother's beaded pieces. [2] In awe of these objects, Bread self-taught herself how to bead when she was younger and now, she has been beading for more than 20 years.
Nellie Two Bears Gates (Dakota: Maȟpíya Boǧáŋwiŋ, ca. 1854–1935) was a Native American artist whose beadwork depicted Yanktonai Dakota history and culture. [1] Beaded suitcases and valises that she gave as gifts are now part of art collections and exhibitions.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...