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A pool was built over in 1792–93, and the road called Pool Valley was quickly developed. The oldest surviving house, and one of the oldest in Brighton, was used as a bun shop until the mid-20th century, and still has a shopfront on the ground floor. A hipped roof, black mathematical tiles and first-floor bay windows are also visible.
Tower House, "Brighton's finest example of a grand Edwardian house", [8] is an "imposing and richly detailed" building [6] which—despite being set back from the main London Road—forms a local landmark due to its tall corner tower with a large lead cupola. [7] This has ogee curves and sits on top of an octagonal timber roof lantern. [2]
Brighton as a whole grew rapidly in the 1840s—between 1841 and 1851, 2,806 new houses were built compared to 437 [17] for the preceding decade—but the effect was greater in Montpelier because the station was close by at the foot of West Hill.) [1] During the 1840s, Montpelier Villas and Montpelier Crescent were laid out, [1] several houses ...
Bow or bay windows were the "chief architectural feature" of Brighton's early houses. [10] Vertical sliding timber-framed sash windows with glazing bars were usually inserted into these, although casements were sometimes used—typically on the oldest or most modest buildings. Casements would sometimes be given glazing bars as well.
This area includes all the Grade II-listed houses of Roundhill Crescent (described by Brighton and Hove City Council as "the most important architecturally"), [23] two pubs (including the Tudor Revival-style New Vic, built in the 1920s and representing a late addition to the mostly late 19th-century streetscape), [12] and four paired semi ...
Montpelier Crescent is a mid 19th-century crescent of 38 houses in the Montpelier suburb of the English coastal city of Brighton and Hove.Built in five parts as a set-piece residential development in the rapidly growing seaside resort, the main part of the crescent was designed between 1843 and 1847 by prominent local architect Amon Henry Wilds and is one of his most distinctive compositions.
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