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In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
First and third lines have a feminine rhyme and the second and fourth lines have a masculine rhyme. A 1 abA 2 A 1 abA 2 – Two stanzas, where the first lines of both stanzas are exactly the same, and the last lines of both stanzas are the same. The second lines of the two stanzas are different, but rhyme at the end with the first and last lines.
Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation. Epigraph: a quotation from another literary work that is placed under the title at the beginning of a poem or section of a poem. Hemistich: a half of a line of verse. Internal rhyme: a rhyme that occurs ...
Monorhyme is a passage, stanza, or entire poem in which all lines have the same end rhyme. [1] The term "monorhyme" describes the use of one ( mono ) type of repetitious sound ( rhyme ). This is common in Arabic, Latin and Welsh work, [ 2 ] such as The Book of One Thousand and One Nights , [ citation needed ] e.g., qasida and its derivative kafi .
A metrical and rhyming scheme dating to the Middle Ages and related to ballade forms. It consists of five eleven-line stanzas rhyming in the pattern ababccddedE, followed by an envoi rhyming in the pattern ddedE. There is also a refrain (as indicated by the capital letters) at the end of each stanza and including the last line of the envoi ...
The last word of lines 1 and 3 must rhyme with the unstressed final syllable of the last word in lines 2 and 4 (a pattern called rinn and airdrinn, in which a stressed word in one line rhymes with an unstressed word in the line below). Two internal rhymes are needed between lines 3 and 4. Two words in each line must alliterate with each other.
Rhyme consists of identical ("hard-rhyme") or similar ("soft-rhyme") sounds placed at the ends of lines or at locations within lines ("internal rhyme"). Languages vary in the richness of their rhyming structures; Italian, for example, has a rich rhyming structure permitting maintenance of a limited set of rhymes throughout a lengthy poem.
Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. [ 4 ] Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry.