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This is a list of black and white films that were subsequently colorized This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
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The film was adapted by Eric Hatch, Jack Jevne and Eddie Moran from the 1926 novel by Thorne Smith. It was produced by Hal Roach and distributed by Metro-Goldwyn-Mayer. Topper was a huge hit with film audiences in the summer of 1937. Topper was the first black-and-white film to be digitally colorized, re-released in 1985 by Hal Roach Studios. [3]
The film stars Laurence Olivier as the brooding, aristocratic widower Maxim de Winter and Joan Fontaine as the young, never-named woman who becomes his second wife, with Judith Anderson, George Sanders and Gladys Cooper in supporting roles. The film is a gothic tale shot in black-and-white. Maxim de Winter's first wife Rebecca, who died before ...
After Many Years (1930 film) After Office Hours (1932 film) After the Ball (1932 film) After the Verdict (film) Afterglow (1923 film) The Afterlight (2021 film) Afterwards (1928 film) Against the Tide (film) Against the Wind (1948 film) The Agitator; An Airman's Letter to His Mother; The Airship Destroyer; Albert R.N. Alf's Baby; Alf's Button ...
The Glass Wall is a 1953 American drama film noir directed by Maxwell Shane and starring Vittorio Gassman and Gloria Grahame. The black-and-white film was produced and distributed by Columbia Pictures. The title refers to a design feature of the United Nations headquarters in New York City.