Search results
Results From The WOW.Com Content Network
The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
The pattern most typical of rock and related styles is: 1&2&3&4& d du udu. The final upstroke is sometimes omitted altering the strumming pattern slightly to d du ud. This pattern is often called "Old Faithful", [7] or when played on ukulele, the "Island Strum". Examples of other strumming patterns include: [8] Single down strum: d d d d
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
The term guajeo is often used to mean specific ostinato patterns played by a tres, piano, an instrument of the violin family, or saxophones. [26] The guajeo is a fundamental component of modern-day salsa, and Latin jazz. The following example shows a basic guajeo pattern. Cuban guajeo written in cut-time Play ⓘ
Stride piano is highly rhythmic because of the alternating bass note and chord action of the left hand. In the left hand, the pianist usually plays a single bass note, or a bass octave or tenth, followed by a chord triad toward the center of the keyboard, while the right hand plays syncopated melody lines with harmonic and riff embellishments ...
In music, an accent is an emphasis, stress, or stronger attack placed on a particular note or set of notes, or chord, either because of its context or specifically indicated by an accent mark.
In 1914, Ornstein debuted several of his own solo piano compositions: Wild Men's Dance (aka Danse Sauvage; c. 1913–14), Impressions of the Thames (c. 1913–14), and Impressions of Notre Dame (c. 1913–14) were the first works to explore the tone cluster in depth ever heard by a substantial audience.