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Homeric simile, also called an epic simile, is a detailed comparison in the form of a simile that is many lines in length. The word "Homeric", is based on the Greek author, Homer, who composed the two famous Greek epics, the Iliad and the Odyssey. Many authors continue to use this type of simile in their writings although it is usually found in ...
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
The Odyssey (/ ˈ ɒ d ɪ s i /; [1] Ancient Greek: Ὀδύσσεια, romanized: Odýsseia) [2] [3] is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest surviving works of literature and remains popular with modern audiences. Like the Iliad, the Odyssey is divided into 24 books.
The 3,000-year-old tale of Odysseus in Homer’s epic poem “The Odyssey ...
A literal translation is "wine-faced sea" (wine-faced, wine-eyed). It is attested five times in the Iliad and twelve times in the Odyssey [1] often to describe rough, stormy seas. The only other use of oînops in the works of Homer is for oxen, for which is it used once in the Iliad and once in the Odyssey, where it describes a reddish colour ...
In Book 22 of the Odyssey, Greek hero Odysseus slaughters all of the suitors in his palace in another homeric display of martial excellence. Aristeia also suggests the qualities of the hero that make his great deeds possible, such as Odysseus' polymetis ("cunning intelligence") that allows him to triumph over the Cyclops Polyphemus in Book 9 of ...
This final example was a line from the Alexandreis, a 12th-century Latin epic poem by Walter of Châtillon. [5] The myth was later given an allegorical interpretation by the French poet Barthélemy Aneau in his emblem book Picta Poesis (1552). There one is advised, much in the spirit of the commentary of Erasmus, that the risk of being envied ...
The 1954 Broadway musical The Golden Apple, by librettist John Treville Latouche and composer Jerome Moross, was freely adapted from the Iliad and the Odyssey, resetting the action to America's Washington state in the years after the Spanish–American War, with events inspired by the Iliad in Act One and events inspired by the Odyssey in Act Two.