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Bikini Kill is an American punk rock band formed in Olympia, Washington, ... [14] for Jenn Pelly's book about the Raincoats. [15] On January 15, 2019, ...
Kathleen Hanna (born November 12, 1968) is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. She is the lead singer of feminist punk band Bikini Kill [2] [3] and fronted the electropunk band Le Tigre in the late 1990s and early 2000s.
The Singles is a compilation album of three singles by punk rock band Bikini Kill. The album was released in 1998 by Kill Rock Stars. [1] Joan Jett produces, plays guitar and sings on the first three tracks. [4] In 2018, Bikini Kill reissued the album on CD and 12" vinyl. [6]
The discography of Bikini Kill, an American punk rock band, consists of three studio albums, one split studio album, two compilation albums, one extended play (EP) and four singles. Bikini Kill was formed in Olympia, Washington in October 1990 by vocalist Kathleen Hanna, guitarist Billy Karren, bassist Kathi Wilcox and drummer Tobi Vail. [1]
Revolution Girl Style Now is a demo album by the punk rock band Bikini Kill. [2] It was self-released in cassette form in 1991 [3] and recorded at Yoyo Studios.. The 1991 cassette was released for the first time on vinyl, CD and digital formats in 2015 via the band's own label, Bikini Kill Records.
Pussy Whipped is the debut studio album by American punk rock band Bikini Kill. [1] It was released on Kill Rock Stars on October 26, 1993. [2] Critical reception.
In 1990, US punk band Bikini Kill started to make their self-titled feminist zine. Its first issue had the subtitle, A color and activity book. [6] A year later the band published the second issue of their Bikini Kill zine, with the new subtitle Girl Power. [7] The band's lead singer, Kathleen Hanna, said it was inspired by the Black Power ...
In its review, AllMusic suggests that the album and its "even noisier follow-up, Pussy Whipped, might be all the Bikini Kill one needs". [3] Characterizing the compilation as "[a]ggressive, lippy, and none-too-disciplined", Rough Guides reviewer Owen James noted that it "nonetheless managed to sound like a triumph of female bonding against the odds". [1]